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Howl At The Moon: How Screamo Stole The 2010s

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Any hack journalist working in the arts sphere can get a few thousand clicks by writing a “rock is dead” piece, because the kids are all listening to Playboi Carti now, and dad rock no longer reigns supreme on the airwaves. While it is true that the current genres favoured by the zeitgeist at the moment are guitar free for the most part, this take fails to consider one significant factor: extreme music has been having a great time. The Internet may have destroyed the ability of bands to make money solely off their music, but its ability to connect listeners across the globe made it far easier for bands to find audiences. You weren't tied to geographical location or needing a big label to do your distribution for you when it could all be put online. As the commercial side of heavy music withered in artistic and commercial terms,the artists on the extreme side stuck to their guns and pushed themselves further to make great art, and they won in the end. Look at how Deafheaven’s Sunba...