Flying On Clipped Wings

Emerging from the British metal/hardcore scene of the mid ‘00s as scrappy Dillinger Escape Plan and Johnny Truant acolytes, Architects have evolved over time into one of the most distinct and vicious metalcore acts, over 10 years of activity and 6 full lengths behind them. With a massive upsurge in popularity after 2014’s Lost Forever // Lost Together, this album largely remains within the same sonic territory, but with the darkness and progressive elements pushed further than before for a quite thrilling effect. The anger and sonic battery that characterised Lost Forever // Lost Together is very much present here, yet it is channelled into a darker, heavier, much more negative space. The guitars still blend technical riffing with pummelling hardcore, the rhythm section is as tight and dynamic as ever, the use of tasteful electronics, orchestration and atmospheric guitar leads is continued.  Despite this similarity, Architects do manage to throw out some surprises, “Gone With T

Of all the artists to emerge from the implosion of cult hip hop collective Raider Klan, Denzel Curry is the one who’s managed to achieve the most lasting success. Releasing a number of mixtapes, 2013’s Nostalgic 64 and last year’s double EP 32 Zel//Planet Shrooms, he’s gained notoriety for his intricate lyrics peppered with nerdy references, dark, crushing beats and a fast, twisty, choppy flow reminiscent of fallen Three Six Mafia MC Lord Infamous or Outkast’s Andre 3000. Imperial is a brave step forward, out of Nostalgic 64’s darkness and the lysergic have of 32 Zell//Planet Shrooms, into a brighter, more confident space, every element accentuated to perfection.  The production on this album maintains that same punchy, trunk rattling feel, with juddering 808s and eerie, wavy melodies, yet overall with a slighter cleaner, brighter feeling. The first half of the album embodies the aggressive side to Curry’s sound, with the hyperactive “Knotty Head”, featuring fellow Carol City, Miam